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2000 Realism. This paper discusses Realism in nineteenth century painting as part of a broader movement which began in literature, became associated with painting, and then broadened to include theatre and later, film. In all its forms it was a rejection of the predominantly Classical vocabulary of art, and also of the Romanticism which prevailed in the 1800's. Artists wanted to paint the world as they saw it, which included warts-and-all portraits, and subjects that included peasants working the fields. However, Realist art and politics were inextricably bound up, first in the person of Courbet who founded the Realism movement and later, in the Socialist Realism paintings of Russia. 5.5 pgs. 10 f/c. 7b.
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6640 The Avant-garde Movement. This twenty-five page graduate paper analyzes discusses the history of 'Avant-garde' movement in the late 19th century France. The paper use examples and analysis to justify the importance of the movement. 25 pgs. Bibliography lists 16 sources.
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15422 20th Century Art This paper explores criticism by Walter Benjamin of "The work of Art in the Age of Mechanical Reproduction."
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16711 The Fauves and the French Tradition. How and why did Matisse and Derain invoke the 'French Tradition In this paper we will examine the Fauves and the French tradition of Art. We will focus our paper on the fauves movement, in particular looking at the work of Henri Matisse and André Derain. As a way to organize our discussion, we will first examine the history of the French tradition in art by looking at some of the main contributors, this way we can see how both Matisse and Derain invoke this tradition. We will also examine the artistic outputs of both Matisse and Derain before and leading up to the fauvist movement.
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21672 Zaha Hadid: An Analysis of Avant-Gardism This five page undergraduate essay examines of work of architect Zaha Hadid. The author notes that much of Zaha Hadid?s work has been described as avant-garde, for many of her projects feature an architectural style that consistently pushes the boundaries of architectural and urban design. Her experimentation with spatial quality is just one example of her avant gardism, for these work experiments have intensified and extended existing landscapes and have presented a refreshing visionary aesthetic that encompasses all fields of architectural design.
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