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11793 Humanities: Art of the Western World. In this essay, Renaissance art is discussed in terms of perspective representations. This paper indicates how the altered use of perspective in particular Italian frescos reconfigured not only visual space within the paintings themselves, but also the architectural space of the chapels where they were drawn. By bringing the physical space and the visual field into perspectives of real and divine representations, the Renaissance artists were re-inventing a relationship between the individual and God. The artist - as creator - creates a relationship where the divine is constructed in the artist's own imagining, thus rendering human art as profoundly spiritual and, because of these implications, deeply ethical. 4 pgs, bibliography lists 4 sources.
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2402 The Madonna and Child of Giovanni Bellini and Raphael. This paper will compare and contrast two representations of the Madonna and Child by two artists who have been particularly associated with the representation of this motif - Giovanni Bellini and Raphael. 6 pgs. 7 f/c. 5b.
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7179 A Comparison of Two Paintings from the Renaissance Period. This paper shall compare the themes found in the paintings "Madonna and Child with St. John the Baptist and an Angel" by Domenico di Bartolomeo Ubaldini (Puligo) and "Madonna Enthroned" by Giotto. An emphasis on the visible transition in painting techniques from the early to the late Italian Renaissance is discussed. 4 pgs. Bibliography lists 1 source.
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6476 Renaissance. This is a 4-page paper on Renaissance, the era from 1350 through 1700. The paper discusses at the historical events that occurred during this period. 4 pgs. Bibliography lists 4 sources.
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6477 Renaissance Gardens. This is a 15-page paper with 8 sources cited in Turabian style that explores the influences of the French and Italian renaissance gardens on each other over the years. 15 pgs. Bibliography lists 8 sources.
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5706 The Life and Works of Donatello: The Innovations of an Early Renaissance Artist. This paper examines the works of the Renaissance sculptor Donatello as an artist in his own right, rather than as a precursor to the innovations of artists who followed him. There is an emphasis on Donatello's work as a realist, where he draws from the fall of Rome, rather than as a humanist as were most Renaissance artists. 8 pgs. Bibliography lists 3 sources.
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4470 Great Works of Art: An Analysis. This ten-page undergraduate paper discusses several artistic works from the Renaissance to the Neoclassical period in terms of their socio-historical context, considering the major social, economic, religious and/or political developments that inform the period, including patronage. The artistic developments and merits of each work are examined and all of the relevant terminology is used in the correct manner. 10 pgs. Bibliography lists 7 sources.
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